ZEISS IKON M 808 MOVIFLEX SUPER 8 CAMERA

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& -6 " I Preparations Indicator wlndow (lordlng control) for shooting Marking of tlre fllm plane Camera door kocklng mechanism The camera action, including the automatic aperture control system, will operate correctly only if a super 8 film or the demo stration blank, which is supplied, is inserted. f hi R Inserting the batteries After loosening the screw (11) with the sup- The following numbers refer to controls in plied socket wrench or a coin, the grip cover the illustrations on page 22. can be removed (8). Now insert six 1.5 Pen- @ Screw for M n g acoeasorles (e.g. angle light cells, e.g. Pertrix 244 or Mallory 1500, as mirror attachment wlth effects box) indicated in the grip and refasten the cover. Cable release connection for motion picturn Make sure that the poles of the batteries are Cable release connection for single-frame in the correct position. pictures Aperture fndlcallon and aperture setting Aperture s m n g mark and reading index Settlng for number of frames per second Setting mark for number of frames per second @ Key for automatic aperture reverslng (sequence fadlng) @ Eyelet for faetenlng the wrist strap and carylng strap MMeB rlng for distance setting S d & g mark for dlstance and focal length Dlgiance scale in metres and feet Foal length scale Slat for sodcet wrench to adjust the camera for artlflclal llghtlng or for the insertion of a llght unit with a standard ma* base (Movilum) Settlng rcrew for vlewflnder eyepiece Adjustable vlewflnder eyeplece Testing the batteries For exact testing no light must be allowed to enter the lens. (Darken the lens with your hand or put on the lens cover.) On pressing the battery testing key (15), the control lamp (16) should emit a green light. if not, the batteries are either finished and must be exchanged or they have been wrongly inserted. Adjusting the viewfinder eyepiece On purchase, the camera eyepiece is adjusted for normal eyesight. . . If you wear spectacles and - with the eyecup folded back - wish to look through the viewfinder whilst wearing spectacles, it is not necessary to adjust the eyepiece.

Spectacle wearers use the t . folded back. Check the adjustment by pointing the camera The eyecup can be turned accordingly for towards a neutral background (self-coloured viewing with the left or right eye. In doing wall, sky or similar). The contours of the fine so, please hold the inner part of the eyecup. focusing screen in the centre of the finder , field must be sharply defined. . If you are unable to see a sharply defined, fine focusing screen, then proceed as follows: 4 Changing the focal length 1 Adjustment of the focal length serves pri- marily to select the correct viewing image and a) Turn the setting screw (31) in an anticlock- only secondarily for "travelling shots", i.e. wise direction (loosen). I focal length adjustment during shooting. Both powered and manual adjustment is possible. b) Look through the viewfinder and move the The powered focal length adjustment system eyepiece (32) backwards and forwards until operates only when the release (14) is pulled the fine focusing screen is sharply defined. back to the first stop (pressure point). If it is i (The adjustment range is k5 Dptr.) impossible to move the release, this indicates that the camera is locked to prevent accidental operation. In this case, press the lever (13) II aaain be in action.

r Adjustment of the focal length is started by moving the lever (5) up and down. It can be used for both left and right hand operation, dependent on how the camera is held. I The set focal length can be read from the scale (29) above the setting mark (27). Focal length adjustment by hand is independent of electronic functions in the camera. It is effected by using the zooming lever (6). If the lens is set at a longer focal length than 30 mm, the c mera should be mounted on a tripod and a S b l e release used (see point 17). Manual shots with a longer focal lens can easily result in blurred pictures. Allowances must also be made for the change in the depth-of-field. Remember, for example, that the depthsf-field range does not start untll about 80 m wlth a focal length of 56 mm, a m setting and a 1.8 aperture. Further infor- mation is contained in the accompanying booklet of tables. 5 Snap-shot setting If you wish to rid yourself of all problems connected with focusing the subject, then we recommend that you use the snap-shot setting clearly marked with red numbers; this is tech- nically possible only as a result of the extrem- I ely wide-angle of your camera. Set the focal length scale (29) at 7 mm and the milled ring / (26) for distance setting at 2.5 m, then every subject between about 1 m and m will be sharp, even with an open aperture (1.8). out of focus in f ' 6 Setting the distance I Set the lens at the longest focal length (f = 56 mm), turn the milled ring (26) for distance setting until the subject is sharply defined in the viewfinder's fine focusing screen. The measured distance can be read from the scale (28) by the setting mark (27). The focused scene is retained over the entire focal length range from 7 to 56 mm, provided the camera's position is maintained. 7 Setting the number of frames per second The standard frame frequency is 18 frames per second. If, however, you wish to film from moving objects, such as cars, trains, etc., set 24 fps at changeover switch (22) by turning the - disc to setting mark (23). This also applies when filming sports events or fast moving : : ! : t i n t 13 for slow motion shots with 54 fps. - : 8 insertingthe film s In your ZElSS IKON M 808, you can load super 8 film cartridges with a film speed from 11 to 25 DIN (13-25 DIN for artificial light film and 11-23 DIN for daylight film). To insert the film cartridge, lift up the locking bar (4) and turn to the right until it will go no further. Then open the camera door (1) and slip in the cartridge with the visible piece of film facing I -

towards the lens until, on exerting slight pressure, it clicks audibly into place. When closing the locking bar (4), exert slight pressure on the housing door. The indicator window (2) enables you to check at all times which type of film is loaded in the camera. transmits the values to the electronic exposure control system and also signals to the "data centre" whether the loaded cartridge contains a daylight or artificial light film. 10 Releasingand aperture setting The release (14) is provided with a pressure point, so that independent of the film run you can carry out a powered aperture setting, a powered zooming of the focal length and pos- sibly a powered aperture fading (see also point 12). The clearly visible pressure point means that you can avoid "jerking" the release key. At the same time, this release key is the main switch for all the camera's electrical operations which greatly contributes towards bb - aving the batteries. Should changes in light intensity occur during shooting, then the aperture automatically adjusts to the correct value. Through-the-lens metering ensures that the shooting light is always suitable for the lens' angular field. In the case of extremely intense or poor lighting, a yellow warning light appears in the viewfinder. It indicates that the range covered by the exposure control system has been ex- ceeded. Filming should be discontinued in this case. When the lever (13) is pushed as far as possible to the left, it locks the release against accidental operation. See under point 17 for shooting with a self- timer. 9 Footage counter (control 7) '= 'w, 'l-4 -. This indicates, in metres and feet, how much film is still available for shootina. When the film cartridge is removed, it automatically springs back to its initial position. 1 Shooting The camera is ready for shooting as soon as the cartridge has been inserted. A feeler mechanism automatically registers the film speed,

A red light appears in the viewfinder when the last frame on the exposable part of the film has passed the sight window. The end of the film is also indicated in the footage counter (7) and by an acoustic signal. Remove the film cartridge from the camera and immediately send it to a processing agent. Sophisticated filming Aperture adjustment and correction of & the automatic aperture control system 1 In order to make any special corrections to 6 the automatic aperture setting, you can set any desired f-stop by hand. This is effected by turning the disc (20) to the setting mark (21). During filming, the disc must be held in place with one of your fingers. As soon as you release pressure on the disc, the aperture is again controlled by the automatic system. There is thus no need to fear incorrect ex- posures in th8 following sequences. (See under "Shooting with cable release", point 17.) Powered scene changes using fade-out and fade-in effects during shooting are possible with the use of a key (24). If you press on the key (24) towards the end of a setting, the diaphragm will automatically close and the filmed scene will become progressively darker. When the yellow light appears in the viewfinder, it means that the diaphragm is fully closed (aperture 45). Now release the key (24). Pull the release (14) at the beginning of the next scene and the diaphragm will automatically return to the correct aperture and thus com- plete the desired change in scene. In order to ensure that the aperture does not open before a new scene, which can happen through un- intentionally pressing the release dot or operating the release too slowly, we advise you to press the button (24) again and release pressure only when the film starts to run. By maintaining pressure on the key (24) you may keep the diaphragm closed as long as you wish. If you require a particularly long darkened sequence, i.e. through a wide aperture range, this is achieved by placing a neutral grey filter in front of the lens, especially under very bright conditions. The length of the fade-in or fade-out is visible from the aperture indication movement (20). The automatic exposure system has standard calibration and under normal light conditions will set the correct aperture. When shooting low-contrast subjects on colour film, filming under an overcast sky or, in particular, when shooting snow scenes, it is often advisable to , open the aperture selected by automatic control by one f-stop (also see instructions of the film manufacturer). Adjust aperture disc (20) accordingly and hold fast whilst shooting. There are, however, special cases when it is advisable to carry out a so-called selective exposure metering, as, for example, when the brightness of important objects in the picture deviates markedly from that of background areas (an archway, indoor shots, and dark objects against light backgrounds, etc.). In these cases, measure the most important section of the picture with the help of the longest focal length (f = 56 mm), i.e. by pushing 13

the release (14) down to the pressure point and then removing pressure. Now adjust the desired section of the picture by hand with the zooming lever (6). Without altering your position, you can now film the scene with the previously adjusted lens aperture which is maintained by keeping your finger on the aperture disc (20) (or you can use a cable release - see point 17). 13 Slow motion with high-speed automatic control The ZElSS IKON M 808 features a built-in slow-motion gear operating at 54 fps (triple slow-motion effect). By operating the high- speed button (9) you can rapidly change from the standard speed (18 fps or 24 fps) to slow motion. The electronically-controlled automatic exposure system adjusts itself synchro- nously to the altered picture frequency. As a result of the shorter exposure time, the aperture will open by about 1'12 stops. In order to avoid.overtaxing the automatic aperture control system on changing over to slow motion (yellow light), the aperture should, if possible, not be under 4 during standard run- ning of the film. Also pay special attention to the definition in depth, particularly when using long focal lengths. An example: pole vaulting 1. Start filming the sportsman's run with 18 fps. 2. At the start of his actual jump, quickly de- press the high-speed button and cov r the . entire jump in slow motion. 8 3. Release the high-speed button and cover descent with the standard frequency. An electronic control ensures a smooth tran- sition from the standard frequency to slow motion and vice versa. No disturbing jerk will occur. The slow motion effect will enhance and enrich contents of your films, particularly in sports photography. A sensible use of the high-speed button will keep film consumption within reasonable li- mits. 54 frames per second "pre-programmed" If desired, you can "pre-programme" the camera for 54 fps by depressing the high- speed button until it will go no further and then pulling out the level (10). With this setting, the camera will immediately run at 54 fps when the release button (14) is operated. This is to be recommended in particular for pano- ramic shots (wide-angle filming), because a "trembling" scene will be avoided by the high picture frequency. 14 Aperture and depth of field Every lens produces a sharp image for only a limited area in front of and behind the set distance. f-stop 45 = small aperture - great depth of field f-stop 1.8 = large aperture - small depth of field Appropriate data may be found in the accom-

15 Filming with filters The customary filters with a screw mount of 49 mm (X0.75) in diameter can be used for the ZElSS IKON M 808. In addition, so-called series 8 insertion filters with an external diameter of 63.4 mm may be inserted in the inner rim of the lens hood. In this case, the lens hood must be folded back. As a result of the through-the-lens metering, 1- allowance is automatically made for the filter j factor and no exposure correction is necessary. w 1 i & Insertion filter 16 Filming with artificial light When not in use, the socket wrench can be fitted in the ring of the wrist strap. If the subject you intend to film is illuminated with artificial light, as, for example, in a thea- tre, then insert the supplied socket wrench into the camera slot (30) until you feel it click * .into position. This instantly regulates the automatic exposure control system in the camera so that the loaded film will be correctly ex- I posed, with respect to both brightness and b colour. The same applies when using commer- cial lighting equipment. Should you, however, possess your own lighting unit (e.g. ZElSS IKON MOVILUM), which is provided with a Y I- standard socket base, then this may be inserted into the slot (30) and will effect the same

Please Note! When filming with lamps which are not fixed . on to the camera by way of the socket base, there is a danger that parts of the camera may be damaged by hait The lamps must therefore be kept at an adequate distance from the camera. 1 17 Shooting with a b t e nleaae This device is generally used only when filming from a tripod or taking title shots. It enables you to film with a free selection of the f-stop without using the automatic system, although, if desired, it is also possible to shoot with the automatic aperture control. When filming with the automatic aperture control, set the release (14) at the pressure point and move the lever (13) as far to the left as possible. The release key is thus locked in this position. Screw the cable release into the ' socket (18). Filming with a self-timer is only I possible with a cable release equipped with a device for fixed pressure. '5 ! As soon as the release key (14) is re-used for t shooting, it will automatically release the lever (13) from its locked position. Only with the cable release and not wlth the automatic aperture control system. The release key must not be locked at the pressure point position. Fix the cable release into the thread socket (1.9) which is marked with a red ring. The exposure time for a single frame is always '136 of a second. Before taking any single-frame shots, the batteries should be checked as follows: briefly exert pressure on the cable release and at the same time operate the battery checking button. If the green light appears, then there is sufficient power in the batteries. Otherwise This charck must be repeated at intervals it single-frame shots are taken over any length of time. Single-frame shots with a powered aperture setting are possible if the release (14) is pushed as far as the pressure point either before or between shots. The aperture cor- responding to the lighting condifions will then be set automatically. When taking shots, take care to press the cable release Only briefly. Only one frame will be exposed even if the pressure is longer, although the 'motor will continue to run. If you wish to film objects at distances closer I than those allowed by the distance setting, then you can use the customary ancillary lenses with a 49 mm screw mount (X0.75). The adjustment for definition is carried out with the built-in rangefinder. The resulting depths of focus may be found in the tables. The values indicated refer to the film plane which is marked on the camera (3). The automatic exposure system is also completely re- liable for close-up shots. Connectionof additional equlprnent Additional equipment, such as the ZElSS . . I K ttachment with effects i A

box, can be fixed to the camera by means of the screw (17) which mn be unscrewed with the socket wrench rsr a coin but cannot be lost. This attachmed perm#@ fibming at right- angles and is espeofefEy" tempting f ~ r candid shots and takes through wholes, etc. In addition, by only half tlMn@ the mirror it is pomible to effect the "myste~ws disappear- ance" of moving objecTs during the filming. Care of the camera The film guiding device should be cleaned from time to time. This is done by opening the housing door (1) and cleaning the film track with a ~ f i brush. Remove any solid film residue with a wooden toothpick or the like. Please use only a soft linen cloth to wipe the front of the lens. Any dust should be removed with a soft brush. The battery connection in the grip and the metallic ends of the batteries should also be cleaned occasionally. If the camera is not to be used for a fairly long period, then the batteries should be removed and stored separately in a cool dry place. Always remove immediately any discharged batteries in the grip. This is the safest way to hold your ZElSS IKON M 808 during filming . Series number Each ZElSS IKON M 808 has a series number engraved on the underside of the housing door (number preceded by series letters). We advise vou to make a note of this number 1 and alsb that on the lens, so that you can Subject to alteration in line with prove your ownership in the event of loss or technical progress 20

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ZEISS IKON M 808 MOVIFLEX SUPER 8 CAMERA

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